Waqas Qazi – Freelance Colorist

What will you get

• Module 1: CONFORM
  In this module, I’m gonna take you through the two most commonly used ways to bring the footage in and out of Resolve: Round Tripping and Bake and Blade. I’m going to show you two different methods for each.
• Module 2: CAMERAS
  In this module, I’m gonna take you through some of the major camera manufacturers, and show you how to properly work with each one to get the best results. You’re even going to get access to a vast library of footage shot by professional Cinematographers.
• Module 3: COLOR CORRECTION
  In this module, what you’re going to learn will help you work on projects like documentaries, corporate, travel, and wedding videos. This is key. It’s the most important thing when it comes to color grading.
• Module 4: SHOT MATCHING
  In this module, I’m going to show you how to match footage from the same cameras as well as how to work on a project that was shot with multiple cameras and create a seamless look. This is what separates the pros from the amateurs.
• Module 5: COLOR GRADING
  In this module, We’re going to learn to become a tastemaker and that’s the difference between you getting paid a normal day rate to whatever you want. I’m going to show you how to work on short films, commercials, music videos, and feature films. We’re going to create some of the hottest looks in the industry today. Last but not least, I’m going to show you how to use LUTs properly instead of falling in the trap of every rookie wanna be a colorist.
• Module 6: STUDIO SETUP
  In this module, I’m going to talk about how to build a studio regardless of your budget. Anywhere from basic to the high-end studio, where you can work on 4K footage. I will also talk about how to properly set up your room for color grading.
• Module 7: FREELANCE
  In this module, I’m going to show you how to get paid through social media. I’ll be sharing step-by-step guides on how to work on commercials, music videos, and films. Most importantly, I’m going to bust the biggest myth, which is how much you should be charging as a Colorist or a Freelancer.