Filmmakers Academy – Advanced Cinematography: Inside the Color Correction Bay

Features of Filmmakers Academy – Advanced Cinematography: Inside the Color Correction Bay

What You Get:

1. The ultimate guide to a successful career in cinematography
2. 161 Lessons
3. 22 hours of instructional videos
4. 28 Podcasts
5. Mastering cinematography takes years of trial and error, finding your style, and your visual rhythm. For over 30 years, Shane Hurlbut, ASC shaped his career in the industry, mastering his craft by expanding his knowledge of every format and even cross-training in different areas (such as lighting) to become a well-balanced cinematographer.
6. Shane specifically designed the Advanced Cinematography Career Path to make you a better cinematographer. He personally curated an advanced curriculum that guides you through to the next level of your cinematic knowledge behind the camera. Buckle up, this course takes all that you’ve already learned but provides additional layers of time-tested experience to help you master and finesse your craft.
7. On completion of the Advanced Cinematography Career Path, you’ll have the confidence necessary when you walk on set, understanding efficiency, how to lead a crew, the finer nuances of pre-production, production, and post-production, navigating professional relationships, and how to ultimately master your craft.
8. Welcome to the crowning level of Cinematography. Your future starts NOW.
9. Module 1 — Advanced Leadership and Responsibilities
10. How To Be a Leader In the Industry
11. Director and DP Communication
12. HA Podcast: Ep 15 Leadership and Attitudes in the Industry
13. HA Podcast: Ep 24 Work Ethics and Leadership
14. Motivating Your Filmmaking Team
15. HA Podcast: Ep 27 Composure On Set
16. HA Podcast: Ep 31 Communication is Key
17. HA Podcast: Ep 21 Business Network and Crew Attitudes
18. HA Podcast: Ep 19 Maintaining Work and Life Balance
19. HA Podcast: Ep 48 Getting Focused
20. HA Podcast: Ep 53 Be Prepared
21. HA Podcast: Ep 47 Growing Pains
22. HA Podcast: Ep 56 Filmmaking Family Relationships
23. How To Lead Your Team In Tough Climates: Fathers and Daughters
24. Module 2 — Advanced Cinematography Theory
25. HA Podcast: Ep 51 Vocalizing Vision
26. HA Podcast: Ep 36 The Art in Business
27. HA Podcast: Ep 12 Camera: Formats Exposure and Focus
28. HA Podcast: Ep 13 Setting Up Rules of Engagement for Your Characters
29. HA Podcast: Ep 14 Mixing The Art and Science of Cinematography
30. HA Podcast: Ep 25 Planning Your Coverage
31. HA Podcast: Ep 33 Understanding Your Filmmaking Tools
32. HA Podcast: Ep 55 Lighting Focused
33. HA Podcast: Ep 11 Creating Depth, Mood, and Emotion with LIghting
34. HA Podcast Ep 4: Lighting in Layers and Understanding Light Quality
35. HA Podcast: Ep 2 Mastering Lighting and Facing Challenges On Set
36. HA Podcast: Ep 34 Light Quality and Spectrum
37. HA Podcast: Ep 49 The Devil is in the Details
38. HA Podcast: Ep 35 Light Placement: On Set Efficiency
39. HA Podcast: Ep 52 Breaking Free
40. Module 3 — Advanced Cinematography Theory Case Studies
41. How To Research Your Look: The Skulls
42. Establishing The World: Terminator Salvation
43. How To Light with Emotion: The Rat Pack
44. How To Create and Unlit Natural Look: Crazy Beautiful
45. How To Extend Dawn for Hours: Drumline
46. How To Extend Sunset for Hours: Into the Blue
47. How To Light Night Exteriors with Two Lights: We Are Marshall
48. Module 4 — Advanced Cinematographer’s Prep
49. HA Podcast: Ep 32 Your First Steps in Pre-Production
50. Action Sequence Cinematography: How To Deliver Camera Emotion Pt 1
51. Action Sequence Cinematography: How To Blend Camera Styles: Pt 2
52. Action Sequence Cinematography: Deliberately Breaking The Rules: Pt 3
53. Action Sequence Cinematography: Logistics: Part 4
54. Module 5 — Advanced Blocking and Composition
55. Using the Script to Pre-Visualize Your Blocking: Semi-Pro
56. Using the Rehearsal to Refine the Shot List: Semi-Pro
57. Understanding Camera Blocking and Breaking the Rules: Semi-Pro
58. How To Increase Your Lighting Speed: Semi-Pro
59. Understanding Light Placement with Multiple Actors: Semi-Pro
60. How Light Placement Affects Emotion: Semi-Pro
61. All The Prep for One-Shot: A Casa Tutti Bene
62. Classic Hollywood Blocking vs Blocking for a One-Shot
63. Composition Tells a Story
64. What Does the Blocking Process Look Like?
65. How To Light a 4-Minute One-Shot
66. How to Recreate Moonlight with Hard Shadows
67. Lighting the Path of an Interior to Exterior One Take
68. Frame Analysis
69. Module 6 — Exposures and Ratios
70. Training Your Eye Through the Use of False Color Pt 1
71. Training Your Eye Through the Use of False Color Pt 2
72. HA Podcast: Ep 44 Mastering Your Craft
73. Module 7 — Inside the Color Correction Bay
74. 03 DP and Colorist Relationship in the BAY
75. HA Podcast: Ep 18 Color Grading & Workflows
76. Module 8 — Deadfall Case Study
77. Location Scouting: Walkthrough with the Director: Deadfall
78. Camera Blocking and Setting Up the Scene: Deadfall
79. Location Scouting: Theory and Production Design: Deadfall
80. Location Scouting: My Cinematographers Scouting Toolkit
81. How To Tech Scout a Location: Deadfall
82. How Color Temperature Sets the Mood: Deadfall
83. Know Where and Why to Place the Master Shot: Deadfall
84. How To Balance Your Rooms Ambient Light: Deadfall
85. How To Block a Scene with Actors: Deadfall
86. Finessing and Shooting the Master Shot: Deadfall
87. How To Compose and Light the Close Up: Deadfall
88. Fine Tuning the Close-Up Lighting and Executing the Shot: Deadfall
89. How To Extend Dusk for Hours: Deadfall
90. Using Color Theory and Lighting to Recreate Dusk: Deadfall
91. How To Mimic a Police Car Light: Deadfall
92. How To Light Your Interior for Dusk: Deadfall
93. How To Light and Lens a Two Shot: Deadfall
94. How To Light the Reverse Angle: Deadfall
95. How To Light the Close Up for Dramatic Impact: Deadfall
96. 01 Cinematography: Day Interiors Vol II: Location Scout
97. 02 Cinematography: Day Interiors Vol II: Technical Scout
98. 03 Cinematography:Day Interiors Vol II: Actor Blocking and Rehearsal
99. 04 Cinematography: Day Interiors Vol II: Setting Your Lights
100. 05 Cinematography: Day Interiors Vol II: Perfecting Room Tone
101. 06 Cinematography: Day Interiors Vol II: Shooting the Master
102. 07 Cinematography: Day Interiors Vol II: Lighting the Close Up
103. 08 Cinematography: Day Interiors Vol II: Lensing The Close-up
104. Turning Around & Lighting Eli’s Close-Up
105. Module 9 — Into the Badlands Case Study
106. How To Create Day Exterior Lighting on a Stage: Into The Badlands
107. How To Diffuse Sunlight: Into The Badlands
108. How To Replicate Early Morning Exterior Light: Into The Badlands
109. How To Replicate Early Morning Interior Light: Into The Badlands
110. How To Replicate Late Afternoon Light On Stage: Into The Badlands
111. How To Replicate Midday Interior Light: Into The Badlands
112. Matching Artificial Light with Natural Sunlight: Into The Badlands
113. Challenges of Blocking Night Interiors: Into The Badlands
114. How To Create Firelight and Lamplight Effects: Into The Badlands
115. How To Illuminate Rain at Night: Into The Badlands
116. How To Light Large Spaces: Into The Badlands
117. How To Light Nightclub Environments: Into The Badlands
118. How To Shape Light in a Forest: Into The Badlands
119. Module 10 — Fathers and Daughters Case Study
120. How To Keep Consistent Lighting in Day Interiors: Fathers and Daughters
121. How To Light Large Day Interiors: Fathers and Daughters
122. How To Light Night with Existing Street Lights: Fathers and Daughters
123. How To Light with Practical Sources: Fathers and Daughters
124. How To Replicate Late Afternoon Light On Stage: Fathers and Daughters
125. Lighting For Emotion: Fathers and Daughters
126. When To Sacrifice Lighting for the Performance: Fathers and Daughters
127. How To Control Natural Light: Fathers and Daughters
128. Module 11 — Swing Vote Case Study
129. Night Interior Lighting In Small Spaces: Illumination Experience Master Class
130. Night Interior Lighting In Small Spaces: Illumination Experience Master Class Part 2
131. Day Interior Lighting In Small Spaces: Illumination Experience Master Class
132. Module 12 — Need for Speed Case Study
133. 04 How to Light Urban Night Car Chases: Illumination Experience
134. 05 How to shoot Car Commercials at night: Acura
135. Module 13 — Lighting for Three Cameras
136. How To Light for Three Cameras: Part 1
137. How To Light for Three Cameras: Part 2
138. How To Block and Light for Three Cameras: Fathers and Daughters Part 1
139. How To Block and Light for Three Cameras: Fathers and Daughters Part 2
140. Understanding Camera Placement: Fathers and Daughters
141. Set Lighting for Three Cameras: Into The Badlands
142. Module 14 — Advanced Color Theory
143. How To Use Color Contrast with New Digital Cameras
144. Using Color Temp to Create Depth and Dimension
145. How To Communicate Your Vision to the Director with Color: Into The Badlands
146. How To Create Color Contrast: Into The Badlands
147. How To Create Emotional Impact with Color Temperature: Fathers and Daughters
148. How To Light with Mixed Color Sources: The Ticket
149. 01 Building Set Lights with Balanced Color Temperature
150. Mixed Source Lighting: How To Light in Layers: Illumination Experience Master Class
151. Module 15 — Advanced Camera Movement
152. How to Plan Plot and Execute One Shot Sequences: Fathers and Daughters Part 1
153. How to Plan Plot and Execute One Shot Sequences: Fathers and Daughters Part 2
154. How To Use A MoVi For Narrative Storytelling: Fathers and Daughters
155. Using A Dolly To Block A Scene: Fathers and Daughters
156. What Handheld Camera Tells an Audience: Fathers and Daughters
157. Aerial And Drone Photography: Into the Badlands
158. Camera Movement To Enhance Character Development: Into the Badlands
159. Module 16 — Advanced VFX Integration
160. How To Integrate VFX Plates with Live Action: Into The Badlands
161. How To Integrate VFX with Live Action: Terminator Salvation
162. Module 17 — Choosing Your Lenses
163. How To Test Your Lens Part 1
164. How To Test Your Lens Part 2
165. How Focal Lengths Assist Character Development: Into the Badlands
166. Module 18 — Choosing Your Lens Diffusion
167. Tiffen Digital Diffusion – 50mm
168. Tiffen Digital Diffusion – 85mm
169. Tiffen Black Soft Effects – 50mm
170. Tiffen Black Soft Effects – 85mm
171. Tiffen Black Satin – 50mm
172. Tiffen Black Satin – 85mm
173. Tiffen Black Glimmer – 50mm
174. Tiffen Black Glimmer – 85mm
175. Tiffen Black Pearlescent – 50mm
176. Tiffen Black Pearlescent – 85mm
177. Module 19 — Creative LUTs
178. RED Dragon DSMC 1 LUTs: Neutral and Skin Tone: Into the Badlands
179. RED Dragon DSMC 1 LUTs: Exterior Times of Day: Into the Badlands
180. RED Dragon DSMC 1 LUTs: Interior Times of Day: Into the Badlands
181. RED Gemini Atmospheric Times of Day LUTs: Rim of the World
182. RED Gemini Day Exterior LUTs: Rim of the World
183. RED Gemini Day Exterior LUTs: Resident Alien
184. RED Gemini Night Exterior LUTs: Resident Alien
185. RED Gemini Overcast Lighting LUTs: Resident Alien
186. RED Gemini Skin Tone Film Look LUTs
187. RED Weapon LUTs: Day Exteriors: Adventurers
188. RED Weapon LUTs: Day Interiors: Adventurers
189. RED Weapon LUTs: Night Urban Environments: Adventurers
190. Arri Alexa LUTs: Day Interior and Exterior
191. Arri Alexa LUTs: Interior Times Of Day